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A New York Times Notable Book
A Washington Post Notable Work of Fiction
A Best Book of the Year: NPR, AV Club, St. Louis Dispatch
When Frank Money joined the army to escape his too-small world, he left behind his cherished and fragile little sister, Cee. After the war, his shattered life has no purpose until he hears that Cee is in danger.
Frank is a modern Odysseus returning to a 1950s America mined with lethal pitfalls for an unwary black man. As he journeys to his native Georgia in search of Cee, it becomes clear that their troubles began well before their wartime separation. Together, they return to their rural hometown of Lotus, where buried secrets are unearthed and where Frank learns at last what it means to be a man, what it takes to heal, and--above all--what it means to come home.
- Sales Rank: #37026 in Books
- Published on: 2013-01-01
- Released on: 2013-01-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .50" w x 5.20" l, .36 pounds
- Binding: Paperback
- 145 pages
Amazon.com Review
Amazon Best Books of the Month, May 2012: It takes only a page or two of Home, Toni Morrison’s finely wrought 10th novel, before you find yourself relaxing into the hands of a master. Nobody owns a sentence like Ms. Morrison. Completely at ease in her craft, she spins slender, lyrical prose around a Korean War vet named Frank Money, who retreats into violent memories to escape his fractured present; his sister, Cee, abandoned by her husband and abused by a medical experiment; and the racial, economic, and emotional oppression fostered by their era and situation. In the understated act of saving Cee--he walks calmly into a house and removes her--Frank brings both of them full circle. Nursed by the local women who watched her grow up, Cee emerges robust and newly aware and, as Frank puts it, “mended.” If you pay attention, Home may quietly do the same for you. --Mia Lipman
Review
"Haunting . . . [Morrison] maps the day-to-day lives of her characters with lyrical precision. . . . Home encapsulates all the themes that have fueled her fiction, from the early novels Sula and The Bluest Eye, through her dazzling masterwork, Beloved." —Michiko Kakutani, The New York Times
"Gorgeous and intense, brutal yet heartwarming. . . . Accessible, tightly composed and visceral as anything Morrison has yet written. . . . [A] devastating, deeply humane--and ever-relevant--book." —Heller McAlpin, NPR
"Luminescent. . . . There is no novelist alive who has captured the beauty and democracy of the American vernacular so well." —The Boston Globe
"Powerful. . . . Jaw-dropping in its beauty and audacity. . . . Brims with affection and optimism." —San Francisco Chronicle
“This scarily quiet tale packs all the thundering themes Morrison has explored before. She’s never been more concise, though, and that restraint demonstrates the full range of her power. . . . A daringly hopeful story about the possibility of healing — or at least surviving in a shadow of peace.” —Ron Charles, The Washington Post
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“A fertile narrative imbued with and embellished by Morrison’s visionary scope and poetic majesty.” —Elle
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“A bona fide literary event . . . an emotional powerhouse. . . . Told in the stark, economical tone of a short story, with all the philosophical heft of a novel.” —Entertainment Weekly
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“A short, swift, and luminescent book. . . . A remarkable thing: proof that Toni Morrison is at once America’s most deliberate and flexible writer. She has almost entirely retooled her style to tell a story that demands speed, brevity, the treat of a looming curtain call. . . . There is no novelist alive who has captured the beauty and democracy of the American vernacular so well.” —The Boston Globe
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“Profound . . . Morrison's portrayal of Frank is vivid and intimate, her portraits of the women in his life equally masterful. Its brevity, stark prose, and small cast of characters notwithstanding, this story of a man struggling to reclaim his roots and his manhood is enormously powerful." —O, The Oprah Magazine
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“Perhaps Morrison’s most lyrical performance to date. . . . Home has a sparer, faster pace than earlier Morrison novels like Beloved or Jazz, as though a drumbeat is steadily intensifying in the background and the storyteller has to keep up.” —The New York Review of Books
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“In a mere 145 pages, Morrison has created a richly textured, deeply felt novel. “Home” has a sense of the real with a touch of magic. After 10 novels and a Nobel prize, Toni Morrison certainly isn’t resting on her laurels.” —Louisville Courier-Journal
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“Her themes—identity, community, the resoluteness of both good and evil—are epic, and her language uniquely her own. . . . Taut and muscular, Home wastes not a word. . . . In sentences balanced like proverbs, the Nobel Prize winner conjures up the community of country women Frank asks to help save Cee.” —The Plain Dealer
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“In this slim, scathing novel, Morrison brings us another quintessentially American character struggling through another shameful moment in our nation’s history. . . . Home is as much prose poem as long-form fiction—a triumph for a beloved literary icon who proves that her talents remain in full flower. Four stars.” —People
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“A short, urgent novel, polished to the essential themes that the Nobel Prize-winning author has explored for decades.” —The Columbus Dispatch
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“Beautifully wrought . . . [Home] packs considerable power, because the Nobel Prize-winning author is still writing unflinchingly about the most painful human experiences. There’s nothing small about the story she’s told with such grace in these pages.” —The Oregonian
About the Author
Toni Morrison is the author of ten novels, from The Bluest Eye (1970) to A Mercy (2008). She has received the National Book Critics Circle Award and the Pulitzer Prize. In 1993 she was awarded the Nobel Prize in Literature. She lives in New York.
Most helpful customer reviews
106 of 113 people found the following review helpful.
Wonderful!
By Read-A-Lot
I read in a review that "Toni never puts language above story." I agree with that statement 100%, and the prioritizing of story is on full display in Home. This is a short book, but very fertile. How can she pack so much, in so thin a volume. The themes she touches on, each could be a full novel on its' own.
Frank Money has returned from the Korean war, with a deep secret. He has covered this secret with mourning the lost of his two best friends, a "mourning..so thick it completely covered my shame." Frank and his sister Cee were close growing up, he four years older than her, acted as a big brother should. And his going off to war created a physical separation, but not a division of affection.
So, after the war and despite his struggling with post traumatic stress and using alcohol to self heal and exorcise the war demons, when he hears his sister is in danger, he does not hesitate to make his way toward her and.... To say more would give away too much.
The use of Frank addressing not only the reader but the author as well was marvelous. This was done, a few times briefly to kind of comment on how the story was unfolding to illustrious effect. The language in this book is simply beautiful, and for some reason it doesn't feel unfinished, as most short novels do. And the ending is brought full circle back to the beginning, all this in under 150 pages. In fact, the reading guide at the end brings up so many good questions you will be astonished as to how one could create that many queries in a short book.
Can't think of a better way to spend a couple of hours. This may well be the best novel you read all year. You will be greatly rewarded for taking that time!
74 of 80 people found the following review helpful.
'Come fast. She be dead if you tarry.'
By Jsun
"Frank and Cee, like some forgotten Hansel and Gretel, locked hands as they navigated the silence and tried to imagine a future."
Toni Morrison's Home is a surprisingly lean novel from a major American author known for her complex and elliptical style. Home is even more lean and minimal than Morrison's brilliant Sula, which she wrote forty years ago. For some reason, I yearned for the Morrison who wrote Song of Solomon or Paradise, which is Morrison at her most complex and perhaps her most sublime. That isn't to say Home is a failed effort, but perhaps it's a passive, more subdued effort, one which does not give us the feeling her greatest books have given us.
Home tells the story of Frank Money and his experience "home" after The Korean War. He lost both his homeboys, Michael and Stuff, in the war. In a character reminiscent of Virginia Woolf's Septimus Warren Smith or perhaps even Morrison's own Shadrack, Money suffers re-adapting into American society. He fought for a racist country which still segregated and refused to acknowledge his duty to his country. He "loiters" around, which causes suspicion from cops. He wanders aimlessly, not quite sure about his own self, which is haunted by images from the past. He breeds shame from an incident that happened in Korea (I won't say what), masking it with visible and palpable anger. Money eventually tries to become more active as a man when he receives a letter from Sarah that his sister, Ycidra, called Cee, "...best be dead if you tarry." Cee is gradually dying in the hands of a strange physician Dr. Scott, who is perhaps involved in experimentation dealing with "eugenics." This propels the journey "home" for both Frank and Cee as they travel their way back to Lotus, Georgia, finding their way home like when Hansel and Gretel were lost in the forest after being abandoned by their parents. The place where they grew up, which they hated as restless and yearning children, becomes a place for redemption for the both of them.
What I found interesting about this novella is how it captures the leitmotif of Morrison's previous works as a whole, her persistent investigation through all her books of what "home" means. What I missed was the intense musicality and poetry of her earlier works, but her lean prose might find favor with those readers who have disliked Morrison's style in the past. Still, there are beautifully poignant moments such as this: "The swallows were back, bringing with them a light breeze and an odor of sage growing at the edge of the yard. Cee watched, thinking, So this is what they mean in those sad, sweet songs. `When I lost my baby, I almost lost my mind...' Except those songs were about lost love. What she felt was bigger than that. She was broken. Not broken up but broken down, down into her separate parts." Reminiscent of Morrison's at her literary peak, these moments are well worth reading and rereading.
45 of 49 people found the following review helpful.
An Easy Introduction
By ReadingWhileFemale
When I heard that Toni Morrison was coming out with a new novel, I was absolutely excited. I loved Paradise and Beloved (so much so that I've never written a review of either of them) so I pre-ordered a copy of Home as soon as I could. I got my copy yesterday (the release day) and I finished it this morning. I'm not entirely sure what I was expecting, but this novella was different altogether from any of my expectations.
This novella was very different from other Morrison books that I've read. It was, first and foremost, easy to read. Beloved took me over a month to get through because it was so dense and so difficult; Home took me only a few hours. I was, I have to admit, a little surprised and even disappointed at how easy the prose was. Though the chapters switch between narrators, with a majority of the chapters being from Frank's perspective, the narrators of each chapter are always characters that have been previously introduce and are always identified in the first few sentences of their chapter. The reader never has to figure out who is talking or what is going on, so long as they can remember names. The chapters alternate between the story itself, told by the various narrators, and chapters in which Frank addresses the author directly, telling them what really happened, how he really felt, and occasionally correcting things that the author previously wrote. I really enjoyed those chapters, because they called attention to the act of storytelling itself, to the fact that someone who is not the characters is writing these things, to the idea that sometimes the author messes things up. I thought that technique was very cool, and it isn't something I've seen Morrison do before.
Possibly because the book was so short, I had a hard time connecting to the characters the way I have with her other novels. While they are good round characters, they aren't nearly as fleshed out as Sethe or the women from Paradise. I feel like this was more a novel of setting and theme than of characters, which is usually ok by me, but since this book was about Frank finding his sense of home, I wanted to connect with him a bit more. While it let me down in character development, it was great in setting. You get a good sense from the writing of what life was like for poor black people in the South, the way that injustice and violence from whites and the police was normal, an everyday hazard to be avoided rather than something surprising or unusual. Home includes a lot of the things that were happening at the time, segregation, eugenics, bebop, and obviously the Korean war. Mostly these elements are woven into the story seamlessly and organically. To balance out the injustice and sadness there were always communities, churches, and helpful strangers who supported each other where law and prejudice let them down. I loved that this book showed the ways that black people rallied and helped each other. So often we think of blacks before the civil rights movement as being poor downtrodden helpless people, but the reality is that they were often very strong, supporting each other and getting through with hard work, community, and a refusal to let poverty and hate grind them down. I think this book did a great job showing that without watering down the real pain of injustice and violence that comes with war and segregation. It's a delicate balance, but for the most part I think it's a balance that Home strikes very well.
As I mentioned earlier, the writing in Home is much easier and simpler than in the other Morrison novels I've read. The themes were generally just as subtle and nuanced as I expect from her, with the situations, problems, and solutions feeling real and honest rather than contrived or pedantic. That said, some parts of the last few chapters felt a little too obvious for me. Unlike in Beloved, in Home Morrison basically hands the reader the solution or moral that Cee and Frank have to find, explaining it to us in clear language. While this isn't always a bad thing, and in some novels those revelations are often the most beautiful parts, in Home it felt a little too easy. Maybe it's because I was expecting something more like her other novels, but the simplicity of those last few chapters left me a bit disappointed. They were beautiful, thematic, and they structurally balanced out the novel, but they just felt too easy.
So, after all this, what did I think of Home? It was good, definitely, but it certainly wasn't her best novel. I think it would be a perfect introduction to Toni Morrison for people who haven't read her books and don't want to start with anything too difficult. It has all of her usual themes, her lovely use of setting, and her realistic characters, but it's shorter in length and has much easier prose. For people who don't usually read difficult literary fiction, this is the perfect introduction to Toni Morrison. For those of us who love her partially because of her difficulty, this probably won't stand out as one of her best novels. The writing was much more mature than in The Bluest Eye, but it wasn't as complex or as moving as Paradise or Beloved. I would definitely recommend it, but it isn't going to join her other works on the list of my favorite novels of all time.
Rating: 4 stars
Recommendations: Readable prose, realistic setting, ok character development. A quick, enjoyable, and contemplative read from a wonderful author. Not as substantial as some of her other works.
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